Friday, October 31, 2008

Project Two Walking Process (Westside park area) p2.6

After spending a few days walking around my neighborhood, basically testing my idea, I decided to take a good portion of the day to go to Westside park, Westwood middle school, and Littlewood elementary school. I parked my car at Westside park, and began walking. I brought a digital camera, a video camera, a sketchbook, and my voice recorder with me. I believe the most difficult part of the process was getting up enough confidence to continuously talk into the voice recorder while I was walking in public. When I first began, I was in a busy area of the park. I was constantly walking by people. I wanted the audio of this project to consist of my stream of consciousness while I walked through these areas, but all I was thinking was "I wonder what people think I am doing?" or "am I making a fool of myself". Not exactly what I had in mind. It is much more difficult to tell myself to think about particular things (memories) then I had first thought.
Once I walked past the park and into the middle school area I had more luck recalling memories. Specific events came to mind, however, since so many years have past since I went to school there, I found that these memories were very vague. In many cases I forgot the names, or time frames that certain event occurred. One thing I found interesting was that certain buildings had popped up over the years, some of which were on top of areas of campus that I spent a significant amount of time. When I passed these new buildings I stopped to acknowledge their existence, but I did not recall the events that occurred their until I got home later. This made me realize that the construction of new buildings impacts the space in multiple ways. The area cannot be enjoyed in the same way it once was, and memories fade faster as well.
The same thing occurred at Littlewood. There is now a gate surrounding the school, so I could barely walk though it at all. I believe that since I am no longer allowed there, I will soon loss many of the memories I had from elementary school. Which is a shame, since those memories are quickly fading anyhow.
I continuously felt rather melancholy while walking though this part of town. Many of the memories that came to mind related to things that were bothersome when I was younger. specifically things that related to personal faults and shortcomings. I felt that I was subconsciously relating the negative personality traits I had a child to those I have today. It is amazing that painful experiences from years ago could still seriously bother me today.
On multiple occasions during this walk I had to stop myself and say, "it happened eight years ago, get over it already".
Overall, I got a lot of great documentation of this walk, mainly by way of photos, some video, and a lot of audio. However, after playing back the audio, I found that there is a lot of dead space, a lot of me saying 'ummmm' or complaining about my feet hurting. I might have to edit it a bit.
Here are some of the photos I took of the area...

(The fence around Littlewood, I had of peek through)

(A path I took almost every day during the summers of 1996-2000 going from westside pool to the park)

(The gazebo at Westwood, I spent a good portion of my free time there during sixth and seventh grade)

Solnit blog questions due 11/4

Think about the idea of pilgrimage. What are your first reaction/stream of consciousness/preconceived notions of what defines a pilgrimage? What sorts of pilgrimages have you been on?

What sort of pilgrimage would you like to make?

The pilgrimage that Solnit reflects upon are those that are walked. Is a pilgrimage a pilgrimage if one uses an auto or flies or does not particularly suffer? Is something/what is lost in the translation" I am thinking about vacation packages to the Holy Land or Mecca, but not necessarily.

Walk the labyrinth at the Unitarian Church on 34th Street just past 39th Ave. Document it in a nonintrusive way and get 7.5 points extra credit. It is hard to really write about labyrinths without the experience of one.

Is a labyrinth a map or a practice? Please elaborate.

Can you think of other "modern-day" practices that perform a similar function to a labyrinth?

Thursday, October 30, 2008

Project Two Walking Specifics p2.5

I decided on four major 'memory producing' areas of town. All of which are located in around the same area, within a mile of each other.
The maps below show the areas I decided on and the routes I am taking as I walk through the area.
The pink circles represent where I will begin walking. (Where I am parking my car, in most cases).




I am stopping along the way to take photos, video, and make sketches of the areas.
All the information I gather will be presented within the memory map.
*For each area I walk, I plan on creating a button that consists of a juxtaposition of images relating to that place.
(these may be old photos as well)
Once the viewer clicks on the button, the audio begins, as well as a thin line that moves throughout the screen in the direction I walked though the area.
-The line that is drawn as a result of the audio.
-It will be a thin line that moves at the pace of my speech. (Quite slowly I would assume) I think it would be beneficial if the color of the line would change in response to the tone of the memory being produced. Warm colors for happier memories, cool colors for more depressing, negative experiences. There also should be a correlation between the thickness of the line and the amount of time that has past since the experience happened.
-The visuals of the line will fill in the gaps for portions when the audio is more vague.
-As the line is created, video, and imagery appear on the screen, the line stops moving momentarily as the audio focuses on the specifics relating to that imagery.

If I have time I was thinking of having an addition of Charlie's vivid memories of Gainesville, he has lived here as long as I have, yet we had different backgrounds until recent years. Would our memories overlap?
-I believe if I do decide to do this, it will be a second layer, that the viewer could choose to turn on and off.

Project 2 Update

This whole project has been kind of an adventure for me and at times discouraging because I'm not sure I am happy with what I am making. Its also a little frustrating because it is about a subject I care about and I want to make it the best I can. I usually don't have issues coming up with ways to visualize ideas but this time I did for some reason. At this point I need to go with what have done and make it the best I can make it.

For a quick summary, my project revolves around the idea of sprawl and how it creates these "cookie cutter" subdivisions in the land, none unique from the last. It takes the idea of place and local and makes them nothing more than a textual name. There are rarely things about local nowadays that are different than any other.

To visualize this idea through mapping, I went into google earth and started taking screenshots of areas that appear very homogeneous and also of cleared land making room for even more subdivisions. I made a huge canvas in Photoshop and started splicing the images together to create this giant, 'custom' map. The images are from all over florida but when next to each other it is very hard to tell them apart. In After Effects I'll record movements around my custom map to really try and accentuate the sameness that I've found. This will be projected in 302.

I guess what my main frustration is; is that the meaning of this work is mostly in the process of putting the map together. What I mean by that is, that the way I put the map together is very similar to how suburbs grow today; very hastily and poorly planned (mine is probably more planned out than most) with nothing to distinguish one neighborhood from the next. It should also convey the idea that these neighborhoods often cut themselves off form the rest of the populace in addition to the web of roads and distances that are created.

Heres a screen shot of the map at an early state:Hopefully it turns into something that I like..

Wednesday, October 29, 2008

projection 2.34

katerie suggested something different to me in class. that i should create a virtual map and have users navigate through a website. as they roll over the location of each sign there would be windows that pop up and play the sound associated with that party.

Project 2.4 - anxious

I have been asking around, gathering responses on how people visualize "anxiety". So far there are a lot of similar answers:
[[
-dark grays, varying grays; in the background, swirling, layers; coming at the viewer
-experiment with texture, jagged edges, pointed, frazzled
-assault the viewer
-nix the curves
-Stan Brackage "Black Ice"~ psychedelic flashes in black
-Willy Wonka tunnel scene

-audio whispering combining and climaxing in a loud cacophony..then quietly beginning again
-Sheperd Tone (ascending)
]]

I agree with all of these and am hoping to incorporate them into the visual. I have also been experimenting in Audacity to try and get a whispering, questing voice with maybe a little bit of echo to bounce around the digital world I'm making in panoramic.

Something to Add...

I also look at this project from a social memory sort of standpoint. I have been collecting data for a couple days now, just asking people, conversating, and inquiring about the homestead. i have even gotten a few really interesting answers from people who have had experience with the homestead, and i have had some people who know general facts and locations, people who have given me directions, but have never been there, people not from Haile who know where it is and people from haile who do not know where it is. I am still not sure that i really want to do this in flash, but as of yet i'm also not sure how i will make this happen without flash. I have some tutorials, etc. and i think i can make it happen.

projection 2.31111111111

ok. so. i've got 27 presidential signs. i've also assigned my mommy the task of finding 10 more in lighthouse point. i'll be cruising this weekend to find some more locally.

installing ideation:
my artist for the sound project-j. frede- did a few installations which are really influencing my output of the political data.
some projects-
a siren song for parthenope:
a small scale installation in which viewers must quietly observe and move through the space in order to hear the audio. The speakers are exposed and attached to slabs of concrete to relate to the sirens' position on rocks.
high(tide)ways: A close integration of 25 speakers which produces one unified sound. he uses traffic noises, and when placed together the sounds meld together into a sound similar to the rolling ocean.
12 note composition for sines: 8 speakers play different sine waves and the installation explores their interaction with each other and inaudible sounds.

What I'm thinking right now is to have speakers set up as individual signs. They would be placed in their actual locations on the map, but in a smaller scale. Each political party represented will have an individual audio identity. So if there are 5 obama signs they would all output the same audio clip. The Obama audio clip is different from the McCain clip. By playing all the speakers and clips at the same volume there will be an audio conflict between the parties in trying to be heard over each other. In this way I can discuss the visual and very public display of political affiliation. I hypothesize that there will not be one clear party domination. They will create an integrated sound to represent the whole population. I'm not sure yet how else to differentiate the individuals visually. I think I'd like to have the speaker exposed, but I'm not sure how to create party imagery without using blatent correlations such as the elephant and the donkey, or blue, red, and green party colors.

notes:
democratic party song: "happy days are here again"

Project 2 revised

So after talking with everyone, I'm going to go more with a perfomance route. Mixed with a little video art. WHich is fine by me, I'm actually much more excited about this then I was about my website/animation idea for this project.

Basically this is how its going to go now:

I have a camera man (a *secret* camera man when we go inside businesses) who will tape me asking people for directions and maps.

Then, in the car, we will follow the maps, pinpointing the little "helper" information and basically seeing how long it takes for me to get to Point B from Point A (where I get the map)

Then, I'll either get directions (a new map) directly back to the place I started (and see if it takes longer or shorter based on the new map person's experience and locality) or I'll get a new map to somewhere else.

After getting maps and following them to places I already know around Gainesville, then I'm going to ask for directions to places that I actually don't know. So that will be interesting. Every moment will be documented and I'll keep an ongoing record or how long everything takes and how accurate each map really is.

It should be a rich experience.

Tuesday, October 28, 2008

Project 2.4


So this is how I would map out birthplace locations (the colors correspond to the colors I highlighted each set of parents with). So far these are the ancestors I could find: all very centrally located. But anyways, I know I have some Native American blood in me, from the Lenape Tribe, which was located in Delaware. I know I also have ancestors from Germany (where "Knauff" comes from), England, France, and Ireland. So the lines will extend pretty far in that direction. When extracted, the lined map looks like this:
Then I want to overlay it on a map of Gainesville, like so:


As of right now, the point of origin is relatively arbitrary. I placed it where the map said "University of Florida". I have been trying to figure out where the origin should be: should it be the origin of my life at UF? Perhaps in the Yulee dormitory? Or should it be the place I reside in currently, way up on NW 23rd Blvd?

Right now it is interesting because most of the endpoints surround the apartment I live in now, pointing to locations I visit very frequently, like the Publix on 13th and 39th. This is what I was hoping for: for there to be some strange correlation, like a natural map you subconciously follow, based off of previous origins. Or is this just a coincidence, and your mind forming connections that aren't really there? The more cynical side of my assumes the latter is more probable, but I like to think the former is a possibility, and our lives tend to follow the same patterns through their many iterations.

Project 2.3

So I realized that I haven't posted any progress in a while. This is mainly due to the fact of pure research. I have a cousin who has researched one side of the family, but he hasn't sent me any information yet, and I have a feeling he won't by the time this project is due. So I took it upon myself to find this out too. So below, I am going to post some of the research I have found out. I only recorded direct parental relations, so I didn't even bother with siblings and such (too complicated and not pertinent to the goal of this project).

This first photo is just a name list of me, my parents, their parents, their parents, etcetera.


This next image is of the timeline I have created in an Excel spreadsheet, in order for me to better organize myself.


Below are some of the records I went through to find them, from the early 1900s and late 1800s U.S. Census Bureau
Anyways, that's just some of the research I have done thus far.

As far as how to use this data, I am thinking of creating a web of lines from place to place of each of the birthplaces of me and my ancestors, then overlaying this web on my current place of inhabitance, Gainesville. From there, I was thinking of either using a GPS device to locate these endpoints, or else using GoogleEarth to create a path along these lines, to take a virtual tour, and at each endpoint, having an image referencing one of my ancestors and the place it represents. Any thoughts?

Monday, October 27, 2008

projection 2.1

so. based on what was said today during process crits:

I should focus on the conflicts that arise from the political declarations.

In my own individual life: my parents are Democratic, Max's mother is democratic and father is republican. Max will not talk to me about any of the current politics and the presidential candidates. This is partially because he likes to avoid conflict and partially because he doesn't want me to get mad at him for disagreeing. I find it incredibly frustrating that he won't talk to me about the candidates or about any sort of party affiliation.

On a local and international scene: Some individuals like to publicly declare their affiliation while others will not. This can be demonstrated through lawn signs. I find it interesting that while gainesville is a big blue dot I have seen roughly as many McCain signs as I have Obama sign. These kinds of public displays create animosity in the community and sometimes actual acts of destruction. For example my neighbors: One painted over Palin's 'i' to display "McCain Pain". The other retaliated by scrawling an 'n' in front of Obama to create "Nobama Biden". It seems everyone picks a side and then it's a fight to the death. These are in effect creating my two different environments; LHP is primarily Republican and Gville is primarily Democratic.

Project 2 Specifics:

Questions I am Asking (Variations):

- "Hi, I moved to Gainesville fairly recently, I was wondering if you knew if Haile Plantation is a real plantation?"
- Can I go in and look at it?
- Do you know where Haile Plantation is?
- Can I tour the plantation?
- Have you ever been to the plantation?
- Is there a plantation around called Haile?
- "Hi, are you from around here, this area at all?" "Could you tell me where Haile plantation is, the actual plantation?" (I'm thinking about asking this in the actual subdivision)
- Do you work here?
- Do you live in Haile?
- Do you know how i get to the plantation? (I particularly like this question, b/c the actual plantation is underneath the subdivision -- fragmentation).

People to Ask:

- people who live in Haile
- people who work there
- people who i see wlaking in the gneral vicinity, in the neighborhoods, in the shops
- shop owners
- people i see in places surrounding

Places to Map:

- churches
- publix on sw 75th
- gas stations
- store/shop owners
- people from neighborhoods in Haile

*** I'm really interested in possibly going to certain locations to ask these things that are boundaries of the original plantation.

Project 2 Specifics:

Questions I am Asking (Variations):

- "Hi, I moved to Gainesville fairly recently, I was wondering if you knew if Haile Plantation is a real plantation?"
- Can I go in and look at it?
- Do you know where Haile Plantation is?
- Can I tour the plantation?
- Have you ever been to the plantation?
- Is there a plantation around called Haile?
- "Hi, are you from around here, this area at all?" "Could you tell me where Haile plantation is, the actual plantation?" (I'm thinking about asking this in the actual subdivision)
- Do you work here?
- Do you live in Haile?
- Do you know how i get to the plantation? (I particularly like this question, b/c the actual plantation is underneath the subdivision -- fragmentation).

People to Ask:

- people who live in Haile
- people who work there
- people who i see wlaking in the gneral vicinity, in the neighborhoods, in the shops
- shop owners
- people i see in places surrounding

Places to Map:

- churches
- publix on sw 75th
- gas stations
- store/shop owners
- people from neighborhoods in Haile

*** I'm really interested in

Project 2.3 - mind over code

According the great and powerful Wiki, a Mind Maps are similar to brainstorming with a diagram to bring order to thoughts, ideas, decisions, plans, and strategies, etc... - a form of problem solving. They are generally informal and can include images as well as words/sentences (a digital form of these could possibly include animated features and audio).
One interesting aspect was the intention to make these collaborative activities as a form of problem solving - but could be an interesting way to expand outwards from my own thoughts.
There is mind mapping software out there..but in my opinion the maps generated are, for lack of a better word, flamboyant and tacky.

Creating a space for thoughts was mentioned, and while I think I may have taken it too literally, I think these Flash based representations are interesting. These are various forms of panoramic plug-ins for the Flash program, as well as outside products, that stitch together images to make a space the user can rotate within or rotate a 3D model:
3D Model Rotation
Image Panoramic 1
Image Panoramic 2 (I like this and the 3D model)

Anyway, I was thinking of using this method of display to showcase my own version of a Mind Map
However, this coding for Flash is brand new to me and this idea all depends on how quickly I can understand what is going on in this crazy thing. the 3D one would also rely on my limited Maya skills and may not lend itself quite as well to the mapping as the other 2D methods.

deCerteau deCerteau deCerteau

Understand the middle two paragraphs on p. 93 starting with “The ordinary practitioners…” How is a city or any other landscape a text? Get an understanding of what might be meant by the term, operations, and how it relates to the aspect of the city that is not represented as “geometric” or “geographical.”
The landscape becomes a text when we walk through it, creating paths and making routes as we travel through a space like a city. The practitioners are the people that live in the city, they write the story of the city though their every day routes and activities and the text of the city is about the locals because it is written by them. They can't see their own paths and it's not written out on a map, they just know their routes.

There is the city and the concept of the city. Please define each and describe their relationship to each other.
The concept city is the idealization of the space, where everything is perfectly laid out like in a grid, with no people in it. Because in a real city, people don't follow the grid paths, they make their own paths and short cuts. The real city is dirty and marked by the locals who live there, the real city is at their whim to mold and re-create.

Why does deCerteau claim that the concept city is dying?
Because the idea of an ideal city is unreachable now, cities can only be torn down and rebuilt in pieces without disturbing the homes of people. And theres no way to maintain a concept city and have locals live in it, because they will make it a real city with their effects on the landscape and it would no longer be ideal.

How can focusing on the negative privilege a discourse?
People want to know negative information, to keep themselves up to date with what they need to worry about and take caution of. Those that talk about the negative have a power over the ones listening because of fear. By pointing out the negative, the discourse can turn to talk about what to do to prevent something bad or what is needed, providing a discourse that they will listen to out of fear.

How does deCerteau relate the decisions we make when walking to speech acts? You may first have to understand what constitutes a speech act. See bottom of p97.
We choose our paths when we walk just like we choose our words and meanings when we speak. By taking a certain route, we're conveying a message, which could be that we have little time (a short cut) or we like to enjoy nature (a route through a park). Our routes also communicate information about our location, what we avoid, is there paths marked out for us (sidewalks) or do we walk free-form.

How does deCerteau define myth in the context of this chapter?
He talks about how the City is seen as a place but it's just a name. The feeling of the city is created by the interactions and relationships that cant be seen or recorded because they don't physically exist, they only exists in the people that live in the city and use it and know it.

Understand the notion of “local authority”. Examples of local authority?
This is talking about how local people know the landscape by other names or by associations with their own activities and not necessarily by any names on a map that someone visiting the city would have to rely on to get around.

What purpose/s could be served by eradicating stories and legends that inhabit places? What are the consequences of this? How is this related to walking?
Locals pass down associations and relationships to places, building the presence of the place through their own labels and stories. To erase those stories is to just make everything the same and take away the individuality of the place. When you walk, you're in a state of flux, between one place and another, never in one spot, never collecting a presence or a feeling for one particular spot unless you stop walking. The places that are seen as legends have collected relationships and stories and moments from people who have stopped there, building up the feeling for the place.

Sunday, October 26, 2008

DeCerteau Take 2

Looks like my DeCerteau response didn't make the cut either...

Understand the middle two paragraphs on p. 93 starting with “The ordinary practicioners…” How is a city or any other landscape a text? Get an understanding of what might be meant by the term, operations, and how it relates to the aspect of the city that is not represented as “geometric” or “geographical.”

The movement of an individual throughout a city leaves a trace. This mark cannot be seen; no permanent evidence remains of the route taken by the walker unless he consciously leaves something behind. DeCerteau implies that each walker writes his own story in the paths he walks, the shortcuts he takes, the streets he avoids, the destination he chooses. The city acts as the medium on which this massive tales is written, with hundreds of individual “stories” and “texts” imprinted upon it.

There is the city and the concept of the city. Please define each and describe their relationship to each other.

The city defines the physical forms that make up the city, devoid of human presence. When DeCerteau speaks of the city, he refers to the literal buildings, streets, etc.; physical and tangible forms that can be seen and touched (concrete, brick, asphalt, mortart). The city possesses no personality, no culture; it is simply the framework and the platform upon human interact and create meaning. The concept of the city then refers to the individual interpretation and understanding of the physical forms of the city, the significance and meaning assigned to the city by those who experience it.

Why does deCerteau claim that the concept city is dying? Make sure you have a clear ideas what is meant by concept city before you try and answer this question.

DeCerteau seems to be referencing the rise and fall of the ideals that function behind the scenes. When the city is originally founded, it is created to reflect specific ideals and accomplish specific goals. Chances are these ideals and goals are shared by the majority of the first founders. As the city grows, develops, and expands, residents may lose sight of the original purpose, the reasons why the city was built. DeCerteau seems to point to the negative influences of capitalism for this trend; as the city advances and accumulates more wealth, the importance of the founding ideals pale in comparison to the desire for that wealth.

How can focusing on the negative privilege a discourse?

I took this to mean that recognizing what is wrong in a particular situation, the elements and factors that cause a city to decay and lose sight of its original meaning, can instigate a movement to change those elements and factors. By understanding what is wrong, we know what problems we need to fix.

How does deCerteau relate the decisions we make when walking to speech acts? You may first have to understand what constitutes a speech act. See bottom of p97.

Walking focuses on specific areas like a conversation focuses on specific subjects. Some areas, based on individual needs and destinations, are more heavily trafficked just as particular subjects (like politics and the presidential election) are more heavily discussed.

How does deCerteau define myth in the context of this chapter?

I see the concept city as the myth. The only permanent fixtures are those that make up the “city” itself, the buildings and building materials that are relatively permanent (at least until they are considered out of date and scheduled to be demolished). The myth is our own interpretation of the city; it exists only in our own minds and is applicable to our individual experience. The myth/understanding of the city may be completely different for different people and depends on the relationship/discourse that one fosters with the city.

Understand the notion of “local authority”. Examples of local authority?

I would define local authority as any force that restrains the freedom of discourse, whether with other people or with the inorganic objects that make up place. “Keep Out” signs act as local authority; they must be obeyed (generally carrying some kind of penalty if they are not), but deny the individual to experience, interpret, and commune with a specific portion of the city.


What purpose/s could be served by eradicating stories and legends that inhabit places? What are the consequences of this? How is this related to walking?

Eliminating pre-existing stories and legends encourages newcomers to experience a place with an untainted perspective and allows for them to project their own opinions and interpretations. The understanding of a location is based more on the individual’s perceptions and inferences rather than a regurgitation of ideas that have been previously accepted and circulated before the individual may interact with the space on his own terms. But to eradicate the stories and legends is to rob the location of its history and consequently, its significance.

Think of place that you where you have spent a lot of time. “Walk” that place. Pretend that you are describing the landscape to a person you know quite well. As you “walk” and talk differentiate between the parts of the conversation that describe what is currently there now and the parts of the conversation that detail what is not longer present.

From a purely physical perspective, very little of the conversation would revolve around what is no longer present. I would likely describe the locations I frequent now and not much has changed over the time I have walked the routes I walk (though granted I have not been here, i.e. Gainesville, for long and won’t be around long enough to witness significant change. At least, I don’t expect this to happen).

Is it possible to see memory as negative space?

I’m not positive. I see negative space as empty space. I interpret memory as a repository of collective experience. The concept of memory could be that of a blank slate on which one’s personal story is written; however, except at infancy, that slate is never really blank. Once the capacity for memory exists, there is always some stimulus that is recorded and remembered. Therefore, I would never really consider memory as “empty”.

internet mapping

from xkcd but apparently accurate



Walking In the City questions:

Understand the middle two paragraphs on p. 93 starting with “The ordinary practitioners…” How is a city or any other landscape a text? Get an understanding of what might be meant by the term, operations, and how it relates to the aspect of the city that is not represented as “geometric” or “geographical.”
These paragraphs were part of what gave me inspiration for my project.
I believe the events that individuals go through within the landscape of the city are what gives the city it's own story.
The locals of a city are it's ordinary practitioners. People in a particular city go about their daily lives in a unique fashion that separates them from any other local in any other city. The way in which they move about a city, or interact with others may create a metaphorical text. A city would not exist in the same sense if it was not for the people within it. Every moment of our lives we are unknowingly creating a history, and as we interact with our environment we create a history for the environment as well. This is described in the quote "these practitioners make use of spaces that cannot be seen; their knowledge of them is as blind as that of lovers in each others arms". As we move through our lives we are rarely aware of the impact of our existence. We rely on the city to help form our identity, but the city relies on us to the same degree.

There is the city and the concept of the city. Please define each and describe their relationship to each other.
As mentioned above, the actual city completely free of human interaction. It is a city created solely by its buildings, shops, road systems. It is the geometric and geographical aspect of the city. When one looks at a view of a city from a map, google earth or google street view they most likely will encounter this form of a city. When you see a city in this way you cannot get a sense of its personality, its ambitions or its history. It is purely literal forms, with no emotion attached.
The concept of the city is the how a person may perceive the city, or the ideal of what a city should become. Each person would perceive a city differently, however, the inhabitants of that city create a specific emotional feel that may come through for the majority of people. I believe that the actual city could exist without the concept of the city, but for the concept to exist the city itself needs to function as a boundary and a source of interaction.

Why does deCerteau claim that the concept city is dying?
I believe this deals with the timeframe of a cities existence. When a city first begins to develop the ideals behind that city are strong and direct. Every member of the city may be attempting to reach the same goals, they want to build their city further and improve the lives of those who live there. They may have pride for their city and are thinking in its best interest. As time passes the original inhabitants of the city may move elsewhere and are replaced by others who do not feel as invested in their location. In addition, I feel that over time money becomes the main goal of those who attempt to 'improve' a city. Rather than improving the lives of all it's citizens and all portions of the city, it begins to focus on only improving certain areas and aspects while letting other less profitable locations decay.

How can focusing on the negative privilege a discourse?
A bit confused by this question, but i'll give it a go.
This seems to relate to the idea that those in power within a city may begin to see the changes that are occurring, and see that their initial vision of the ideal city is not turning out as planned, and instead of taking that revelation and improving their theories they instead create negative statements as to the state the city is in.
"They transmute the misfortune of their theories into theories of misfortune."
They want to control the population so they do so by discussing problems, and instilling fear that things may get worse, rather then taking the more positive route and speaking of positive changes that could occur.


How does deCerteau relate the decisions we make when walking to speech acts? You may first have to understand what constitutes a speech act. See bottom of p97.

"The act of walking is to the urban system what the speech act is to language or to the statements uttered. It seems like speech acts are the decisions we make while speaking. I suppose we subconsciously speak a particular way, depending on what we need to get across in our speech, and whom we are speaking to. As we walk to a location we may always take a particular route, we may not consciously realize why we are doing this, but somehow it must be the most beneficial path. Perhaps it is always about finding the most reliable way to get from point A to point B. When we speak we try convey our point in the most sufficient way possible, the same applies to walking as well.

How does deCerteau define myth in the context of this chapter?
In the section Myths: what "makes things go" he mentions that as we move we "lack a place". Thus the only aspect of a city that actually physically exists is the architecture and infrastructure of the city. The concept of the city only exists through discourse and perception of those within it. A myth could be the fictitious feeling the city possesses, bringing the inanimate object (the landscape) to life.

Understand the notion of “local authority”. Examples of local authority?
Local Authority can constitute any aspect of the city that constrains those within it. Our discourse is constrained by those who keep free speech to a minimum. Those who question us, and attempt to cause us to lose confidence in our actions. Authority is any force in our lives that controls us in any way. This doesn't have to only be those in power, like police, but our family our friends, anyone whose opinion matters. The physical location we inhabit is also a local authority. We are bound by the location of buildings, once a building appears we will no longer ever be able to walk where it is standing. It restricts our movement without knowing.

What purpose/s could be served by eradicating stories and legends that inhabit places? What are the consequences of this? How is this related to walking?
By eradicating stories and legends we would be deciding to create a new start for a city. The stories of the past bring a rich culture and history to a space, but also cary with them a need to live in the past. By doing so we lose the need to bring about change and progress. However, it is important to learn from the past, and certain stories give the inhabitant information that could prove useful. For instance, if a neighborhood was known for muggings, and the stories of these occurrences were widespread, it would keep people from unknowingly walking alone in these places. Many stories are created as a means of propaganda, or fear, but others do keep the population safe and knowledgeable.

Think of place that you where you have spent a lot of time. “Walk” that place. Pretend that you are describing the landscape to a person you know quite well. As you “walk” and talk differentiate between the parts of the conversation that describe what is currently there now and the parts of the conversation that detail what is not longer present. 
This seems oddly similar to what I am doing for my project, contrasting the memories of the past to the images of the present, which will later become images of the past. Ya. I think the most relevant location will be the area of Gainesville I grew up in (the area near the intersection of 43rd and 16th) I would describe by memories of this place, how businesses I spent much of my time in have disappeared. Many banks have popped up, many in the place of restaurants and gathering spots. A rundown dying shopping plaza is now bustling with traffic....but you will hear much more of this in much more detail soon enough, when I am actually speaking from within the space. :)

Late de Certeau post

Understand the middle two paragraphs on p. 93 starting with “The ordinary practitioners…” How is a city or any other landscape a text? Get an understanding of what might be meant by the term, operations, and how it relates to the aspect of the city that is not represented as “geometric” or “geographical.”
The city is a metaphorical text which is written by each of its inhabbitants. the view of the city as a whole is changed by thoses living and rewriting the text. The inhabitants are responcible for the identity of the city. Operational approaches viewing a city without visual or theoretical views.

There is the city and the concept of the city. Please define each and describe their relationship to each other.
the acutal city (reality) versus the persieved city (the impression that a city gives off)

Why does deCerteau claim that the concept city is dying? Make sure you have a clear ideas what is meant by concept city before you try and answer this question.
The increasing networks of waste and unclasified operations changes the concept city. it makes the concept city vauge and harder to identify

How can focusing on the negative privilege a discourse?
Inverting the catastrophy to become the focus changes all values. the decay of the concept is no longer oderous

How does deCerteau relate the decisions we make when walking to speech acts? You may first have to understand what constitutes a speech act. See bottom of p97.
Walking in specific areas highlights concepts and discards other areas with less foot traffic to decay. walking becomes a conversation with the concept city.

How does deCerteau define myth in the context of this chapter?
"Modern art of everyday expression" replacing words, concepts, skipping and changing language.

Understand the notion of “local authority”. Examples of local authority?
myths, local histories, something that makes an area special or unique

What purpose/s could be served by eradicating stories and legends that inhabit places? What are the consequences of this? How is this related to walking?
It would clear the area of meaning, opening it up to be written into and become more habitable, like erasing a chalkboard.

Think of place that you where you have spent a lot of time. “Walk” that place. Pretend that you are describing the landscape to a person you know quite well. As you “walk” and talk differentiate between the parts of the conversation that describe what is currently there now and the parts of the conversation that detail what is not longer present. 
mostly personal histories when something isnt present, beyond that purpose and direction.

Is it possible to see memory as negative space? 
negative denotes empty space, memory seems more like hollow space something once removed, to be filled

In your own words, what does the practice of space mean?
to become altogether seperate, to grow away from the common view or the accepted, to seewith new unicumbered eyes.

Saturday, October 25, 2008

deCerteau game

Let's get up on some roofs!

Project Two Specifically Specific p2.4

After our discussions on Wednesday I began to realize what I would like to do specifically. I was excited about the Halloween idea, but I suppose it wouldn't exactly be 'art'. I think that I might still do this, but as a personal project, mainly since it is something I have wanted to do for sometime.
I began thinking about ways of elaborating on my failure or memory map idea. My first instinct was to create a narrative map that described the events of a person's (me?) life though specific, unrelated events that occurred within the same city over many years. I feel that that our memories, what we choose to remember, and how we go about describing the past, may tell a lot about who we are.

I was wondering if I should create one map, of my experiences in Gainesville, or interview others and have them describe their most vivid memories as well. Perhaps have multiple people's memories overlay somehow to show a projection of which areas of town the most important events occurred in.

Do we all have similar places in which we recall the past?

Does this create a common bond between us?

What does that do to a particular location?

Also, I don't think that each memory should necessarily be painful, as long as they are vivid and important in some way. Many people I have talked to feel that most of the memories they immediately recall are painful, so the idea may come through on it's own.

The idea of obsession is also interesting to me. I am a very obsessive person, as well as a perfectionist. I feel the need for everything I do to be as intricate as possible. As a result, many of my projects tend to fail. None the less, it is a part of me that I would never be willing to give up. This led me to thinking of ways that I could create a very elaborate map of memories. Something so obsessive and overloaded with information that it would itself describe me as a person.
Since i've lived in Gainesville all my life, I believe that every location, every street, every park, every building has some sort of memory attached to it. I have an unusually good memory as well, I remember practically everything that has happened at these locations over the years. When I physically visit a location memories tend to rush back, including emotions that were associated with the place.

We also talked in class about how the process of data collection is very important to this project. In every project I do, I feel the experience along the way is the most important aspect.

So here is what I would like to do. I want to walk through Gainesville (every major street and location, and relevant neighborhoods) with a camera and a voice recorder. As I walk I want to focus on the most vivid memories that I recall and record everything I am thinking about in regards to those memories. This would create a continuous stream of consciousness. Along the way I will take photographs and create sketches of particularly relevant locations. The photographs will portray gainesville as it is today, and the sketches will create an idea of what things were like in the past.

I would like the end result to be audio based, with images placed in the appropriate locations throughout the piece.
It should be interactive, but I have not decided if it should necessarily be a tangible object or be computer based.
(If it was a tangible object I might have to break out the speakers again, which worries me)


Once I finish school next year I am most likely leaving Gainesville for good. I fear that as time goes by many of my memories of my life in Gainesville will fade. This project will function as a time capsule of experiences. I would like to be able to look/listien to this years from now and be able to relive this portion of my life just as I view it today.

...If I could somehow encapsulate twenty one years of experience it will we amazing and awesome really. :-)

projection 2.05

so. this project is giving me a really hard time, and i'm not sure why. katerie suggest i jump in and something might come to me. here are some of the thing's ive been thinking about:

1. mapping presidential support signs. i've mapped some at my home in lighthouse point and also all the signs ive seen here in gainseville so far. this addresses the local because gainesville is supposed to be a democratice town and lighthouse point is the opposite. i think it's interesting to note the differences in the two environments and correlate those differences to political aspirations.

2. mapping my body in terms of my family and my interests. for example my heart is with those i love. when they travel i always have them in the back of my mind, concerned with their safety. if they are going through a hard time, i feel it with them. an intangible presence. i extend my arms to help my friends and family who need it. my legs take me to them. etc etc. this is more of an exploration of local in terms of relationships. despite the distances between us they are my local, they are what i know best.

3. something else i'm interested in is the idea of making something local. i've accumulated so many items from so many different places and situations and most of them i don't use or need. it's interesting to me though, that they build into my landscape. the local within my apartment. within my room. when i was visiting my parents 2 weeks ago my mother made an offhand remark that my room doesn't look like my room anymore, because there's no clutter. these objects and this ability to absorb objects has become a part of me and of the experience of others viewing me.

Project 2 Update

OK, so i have finally settled on one idea, which i am happy about. I have worked a lot in the past with Haile Homestead and am thinking about working with this for my thesis. So, my idea concerning a mapping project would be to ask people around the homestead, such as the publix on SW 75th street, the gas stations, shops surrounding or close by, and actually go into the subdivision and ask shop owners and people i see walking around if there is a plantation around called haile. I will be inquisitive and ask people as if i am new to Gainesville, i might even pose it like that. I want to map the responses i get from this question. I don't want to just stop there with the questions either though. I plan to ask other things, depending on how the conversation goes, such as "Hi I'm not from around here, but I'm trying to find this plantation...." or i might start off asking a shop owner if they are from here, and then delve into the questions. Another question I'm going to ask is, if Haile Plantation was a real plantation. I want to collect and evaluate people's repsonses. I am collecting data about who is actually from here, who just works in haile, who knows about the homestead. I was thinking i might even try to use my binaural ear mics and record voice as well. The concept behind the project stems from my fascination about how many people who live in haile have actually visited the homestead, I'm always really interested in how many people who live in haile or who work around haile actually know that it was named after a real plantation. I think it could be really interesting if i can collect enough data, to see how many people who live in haile versus how many people who work in haile actually know more about the homestead, since the people who live in haile have the old plantation homesteasd right in their backyards practically. I have always thought it's a funny thing that in Florida there are developments and subdivisions named plantation, it's just stuck on the end, and they have no real correlations with this kind of place at all, but Haile actually does, and it is interesting to me that some people do not even know about the history surrounding the site. I am thinking about a flash or somewhat interactive interface as a way of mapping the project. I wanted to code buttons that when the mouse rolled over, you would see a marker of somesort, and the voice i recorded would play, and sometimes they would overlap with their responses depending on where i was, and soemtimes they would not. I thought it might also be nice to just have text pop up when the moused rolled over as well. I am thinking that this could be a layered project, which i don't think can be done in one month, but can definitely be expanded upon that could also discuss diversity or lack thereof in such a place as well. This project might be a good way of mapping the actual repsonses, to have them be in the spaces that i actually asked the questions. I would create an underlay of the map, which could be turned off so that all there are are these abstract points. I was also thinking that i could make a path somehow that tracked where i was and where i went to next and there would always be the top view of the homestead so that the viewer would get a sense of where he or she was in relation to the site while they were reading or listening to responses. I want this to be a mapping project that could be evolved, in that i can add onto it later, just as my haile homestead video project could be added onto. The only problem is i'm not sure where i can find the code for the buttons, i can prob figure it out, but if anyone has done something like this with buttons in flash that might be able to help me that would be greatly appreciated. I know the basics of flash but am still learning a lot. Thanks!

Friday, October 24, 2008

Ben's Project 2 update

I have been mulling over the project 2 an have come up with some new and better ideas.

Star map of freckles - this would explore ideas of patterns and studies of patterns, looking for reason in dots, finding representations in patterns, I could use this method of mapping to explain personal history and play with scale.

Instant Walk - this is an attempt to represent a walk or several walks with one picture. I would try and represent each sight seen on the walk with pictures i.e. grass, trees, signs, etc. this project contains ideas of images/technology replacing actual experience, also how to catalog and organize an experience into one moment.

Bike rehash - This project would catalog all the bikes on campus and map them somehow. This would show ideas of impermanence, in that the data would change and become obsolete almost immediately. It would have ideas of diagramming a moment and tracking movement of a specific group within an area. Also a familiar mode to myself.

project 2.25!

So, after that meeting at the map library Wednesday, and hearing about their collection of Everglades maps, I was trying to think of something to go along with the concept of its change over the years. It seems like every year I notice more housing developments (those tacky cookie cutters) going up as I drive down Alligator Alley and the Turnpike, etc. But I haven't been able to come up with an artistic visual quite yet.

I also still like the idea of mapping the intangible, inspired by the hypochondriac on the radio podcast, like my first post mentioning the mapping of confusion, indecision, or regret/hope - maybe a map-like representation of the paths an individual (representing the average person) would take through life, or through a specific point in their life, and their moments of the feelings above.
If anyone has any tips, I'd love to hear it :)

non-mapping mapping

Well today is Friday and yet I don't have to go to my gen-ed classes! Strange. More time for homework!

SO I think that class on Wednesday changed a lot of our views on the project. It seems that what we thought we were supposed to do was not true. I was NOT excited about making maps. Lots of people make maps and they get payed for it. Google has sweet maps. Even the mapping library showed me that maps are not something I want to make, because other people do that better. But there WERE a couple of things that inspired me from Wednesday:
The first thing that changed my view about this project was when Katerie said it was more about making art with data that we collect. Data collection art is very broad but much more interesting. I've been thinking a lot about that since Wednesday. I knew that the mapping project was supposed to be conceptual, but nonetheless I have difficulty getting excited about maps EVEN if they are conceptual, or differently visualized. Art that has to do with data collection is interesting though. Maps are incredibly useful, literal representations of data collection. I understand better what is meant by this project now.
The second thing that I thought was interesting from Wednesday was that the mapping of pumpkins by the guy in the mapping episode of This American Life was not art. I agree. I guess that we aren't expected to do something like that. I didn't really realize that we agreed on this.
So now I finally understand the point of this project and I feel that I have to go back to the drawing board. I'm trying to think of what kinds of data I want to collect. There's a lot of things that I feel would be worth doing!
-Something that I'd really like to do is to go interact with people. People have a lot of interesting things to say when you interact with them one on one. I've been wanting to do this with my art for a while but have yet to really succeed in making work about it. It might be too ambitious (and ambiguous) for this project. I think that public art and community art are often the most interesting.
-Another thing I'd like to do is get research about topics I feel can never be expressed enough. These vary because I have a lot of interests. For example, I just happened to run into a friend of mine last Wednesday (October 15) at K-lunch whom I hadn't seen in a couple years, and he told me about his research. He's apparently been getting out and doing research on how plastics are seeping into the environment and affecting the wildlife. Specifically he's been examining data about alligators in relation to this. There is a direct correlation to plastics in the environment and a reduction in the size of male alligator genitalia. Alligator penises have shrunk dramatically. This affects their ability to procreate! I don't know what kind of art I might do about this, but it is interesting that "the gator nation" is affecting the actual gators in such a way.
-The deCerteau reading really made me want to get up into some high places. I wonder what tall buildings I could get onto the roof of without getting arrested. This could be a performance project, a photo project, or both (or just a secret performance art that lives on through photo documentation). I also used to climb trees a lot.


At the very end of class we started talking about something to with the paths we walk which reminded me of something called parkour. Here is the wikipedia entry on that topic: http://en.wikipedia.org/wiki/Parkour


Ok well I'm going to go vote now.

Wednesday, October 22, 2008

Richard Serra

Richard Serra and the Transformation of Space

Richard Serra born in1939 is an American minimalist sculptor and video artist known for working with large scale assemblies of sheet metal. Serra was involved in the Process Art Movement.

He began working in steel mills in order to support himself. In 1964, he graduated from Yale University with both a BFA and an MFA. Receiving a Yale Traveling Fellowship, he spent a year in Paris, followed by a year in Florence funded by a Fullbright grant.

Many of these pieces are self-supporting and emphasize the weight and nature of the materials. Rolls of lead are designed to sag over time. His exterior steel sculptures go through an initial oxidation process, but after 8-10 years, the patina of the steel settles to one color that will remain relatively stable over the piece's life. Serra often constructs site-specific installations, frequently on a scale that dwarfs the observer.

In 1981, Serra installed Tilted Arc, a gently curved, 3.5 meter high arc of rusting mild steel in the Federal Plaza in New York City. There was controversy over the installation from day one, largely from workers in the buildings surrounding the plaza who complained that the steel wall obstructed passage through the plaza. A public hearing in 1985 voted that the work should be moved, but Serra argued the sculpture was site specific and could not be placed anywhere else. Serra famously issued an often-quoted statement regarding the nature of site-specific art when he said, "To remove the work is to destroy it." Eventually on 15 March 1989, the sculpture was dismantled by federal workers and taken for scrap.

http://plaidnet.greenwichacademy.org/arthistoryslides/slideidgal/MODERNISM/LATE20THCENTURY/LATE20THCENTURY-Images/late20th38.jpg

In 2002, a similar installation titled Vectors was to be built at the California Institute of Technology from the bequest of Eli Broad. The piece, to be four steel plates of similar material as Tilted Arc zig-zagging across one of the few green spaces at the university, met significant opposition by the student body and professors as being a "'derivative” rehash of earlier works, or an 'arrogant' piece that [belied] Institute values."[1] The piece was never installed.


Another famous work of Serra's is the mammoth sculpture Snake, a trio of sinuous steel sheets creating a curving path, permanently located in the largest gallery of the Guggenheim Museum Bilbao. In 2005, the museum mounted an exhibition of more of Serra's work, incorporating Snake into a collection entitled The Matter of Time. The whole work consists of eight sculptures measuring between 12 and 14 feet in height and weighing from 44 to 276 tons

http://www.youtube.com/watch?v=GAQ9KyxDYUY

Torqued Ellipses Series

http://www.youtube.com/watch?v=l1sBpsyRNfM&eurl=http://www.moma.org/exhibitions/exhibitions.php?id=2866


What I like about him:

He explores what actually defines space or a location, and how people react to it. He is creating site specific work apart from the gallery which is best done through size. He is essentially creating new landmarks that people can reference for location.

Tuesday, October 21, 2008

projection 2.028

um. so i would think it would help to discover my ultimate project does not need to be a map and that maps should simply inform and be some sort of basis for my work. but not so much. i don't know what i'd like to explore that could be achieved through a mapped research.

rest of walking in the city

1. How does deCerteau define myth in the context of this chapter?
“A discourse relative to the place/origin of concrete existence, a story built out of common sayings, a fragmentary story whose gaps mix with the social practices it symbolizes”.’ It seems like he’s saying that a myth is an accumulation of social consistencies in language and state of mind.

2. Understand the notion of “local authority”. Examples of local authority?
A local authority is one that promises something and then never comes through with it. It operates to motivate under false pretenses.

3. What purpose/s could be served by eradicating stories and legends that inhabit places? What are the consequences of this? How is this related to walking?
Stories and legends will eventually lead to all places being the same. They will leave nothing special about a locale. If they are eradicated there can again be the mystery and the “superstition” in the environment. Walking and travel relate in that they can help stimulate the same effervescent and ephemeral qualities that the legends could.

4. Think of place that you where you have spent a lot of time. “Walk” that place. Pretend that you are describing the landscape to a person you know quite well. As you “walk” and talk differentiate between the parts of the conversation that describe what is currently there now and the parts of the conversation that detail what is not longer present.
I’m not going to go into the ‘walk’ but I would like to say that it is interesting to note that the parts of the walk that mention what is no longer present tend to be memories of events, while the currently existing parts are given titles and then glossed over.

5. Is it possible to see memory as negative space?
I suppose this would be a form of ‘looking at the bigger picture’. You see not just the memory, but the formation of the person the memory encapsulates.

6. In your own words, what does the practice of space mean?
The practice of space… a realization of individuality from a group or a realization of being a group. A mental recognition or examination of the inter-relation between people/objects/places in terms of grouping.

deCerteauology

Understand the middle two paragraphs on p. 93 starting with “The ordinary practicioners…” How is a city or any other landscape a text?

It is a landscape of text because a city can only be defined in words. If there was no text, there would be no way to define where anything was, and the city would cease to function properly. The store names, street names, numbers, and hundreds of other definitions help to locate and define a specific area of a city. Furthermore, these text definitions are not always the ones that are used. The people of a city often define things in their own way completely disregarding the so called correct definition in favor for their own.

There is the city and the concept of the city. Please define each and describe their relationship to each other.

The city is the actual tangible construction and layout of a series of definitive locations. These locations are almost always stores or buildings but can also include the infrastructure also. That being the roads, sidewalks, tunnels, etc. The concept of the city is the Utopian view of what one should be. It is practically unique to every person because we all look at things differently. The common aspects though would include the interaction of people, and most likely the control of the people by the authority. The hierarchical part of how a city is supposed to function is an idea that most of us recognize.

Why does deCerteau claim that the concept city is dying? Make sure you have a clear ideas what is meant by concept city before you try and answer this question

I think he believes it is dying because it is a very hard system to maintain. The system will naturally decay because of time passing. I think the connection between the past and present is pretty important and with time, that connection becomes less and less strong. So you move farther and farther away from the ideals that you started with. Since the current ideals are not founded on the original, they are weaker and will decay naturally because they are not built on anything. He could also mean that the high turnover rate of people within a city does not lend itself to sustaining a healthy city. The high turn over rate means people move in and out with little regard for their surroundings leading to disconnect between the citizens themselves.

How can focusing on the negative privilege a discourse?

Well first of all, people like to listen to or read negative things because they are often more controversial and flat out more entertaining to read. It can also lead to the having more control over the audience because of the use of fear. This can be seen everywhere really, Religion is probably has the most longevity with this idea. The fear of not going to heaven if you're bad has been used for thousands of years. Politically we see it all the time too. Today it could be terrorism and how we need to increase military spending, invade our own privacy and go into other countries or else have our freedom destroyed. That kind of fear control, although it is somewhat absurd if you actually think about it, works incredibly well. Within a city environment we obviously have authorities and non authorities. The authorities often use fear to gain control of a large number of people.

How does deCerteau relate the decisions we make when walking to speech acts?

deCerteau says the walking walking in a space is essentially enunciating it. Much like we enunciate words, we can also define space by walking. Also, just like there are many, many ways to describe something in words, there are also numerous methods of making your way through a space. Essentially, walking in a space from one point to another is similar to thinking of and saying a sentence. Everyone will do it differently but the end result is almost always the same. I think it is important to stress the fact that every single person is unique in the way they look that the world and this applies to things as simple as walking and formulating sentences.

How does deCerteau define myth in the context of this chapter?


deCerteau defines myth by

Understand the notion of “local authority”. Examples of local authority?

There is of course the authorities we all know, the local police, our landlords, and even some people within the University. There is also a much more subtle form of authority. I would consider peer pressure to be a form of it because it has the power to control our actions, much like an other authority figure does. It is just behind the scenes in our heads. What it can influence us do can be a surprising amount. In this case the way we conduct ourselves within a group a people such as within a city is often not dictated by the obvious authorities. It is the consensus of all of us of what we decide is the correct way to act in a given situation.

What purpose/s could be served by eradicating stories and legends that inhabit places? What are the consequences of this? How is this related to walking?

Eradicating legends would sever a link to the past. For a lot of us it would allow for a much freer existence because we are not held back by the prior preconceptions. It would allow us to think critically about a situation without any ideas already placed in our heads. I think it would lend itself to a much more individualistic society where there wasn't a strong sense to all act exactly the same. If it were possible though to eradicate the legends it would might do more harm than good because it would destroy most of preconventions that already work, those preconventons have lasted a long time for a reason and removing them may take us backward. The city may even cease working correctly because of the erasure of the past. Walking would become a very hollow experience, it would be mind numbing actually. If I walked through campus everyday with no knowledge of what those buildings are for or how they came about or all the names carved in the sidewalks there would definitely be a sense of hollowness.

Think of place that you where you have spent a lot of time. “Walk” that place. Pretend that you are describing the landscape to a person you know quite well. As you “walk” and talk differentiate between the parts of the conversation that describe what is currently there now and the parts of the conversation that detail what is not longer present.

I am walking up to my old house in cleveland, the pine tree I helped my dad plan when I was 5 is now at least 20 feet high. The entire yard looks so much smaller now than it did when I was younger. The basketball hoop we installed in the ground is still there, my small hand along side my families, still in the cement holding the pole in. The garage door is a different color now than it was, actually the entire house looks as though it has been repainted to a darker tan. The front porch is exactly as I remember it. The forest behind my house is almost completely gone, it looks like a new subdivision was put in. I remember walking through the woods, smelling the leaves and the eerie silence.

Is it possible to see memory as negative space?

I don't think memory is a negative space. Of course some things will be forgotten over time but most will live on through stories and 'legend.' Memory is not something that is easily explained, our memories make us who we presently are much like the history of a building or any other location helped to make it what it currently is. Its remembering the past of what our memories are or what that building was used for that makes those memories mean something. The meaning of the memories can change through time though so it is somewhat in flux.

In your own words, what does the practice of space mean?

That is a surprisingly hard question to answer. Space in it's purest sense would be in the natural world absent of any artificial structures. If I had to define it clearly as possible though I would say space is the absence of something positive within it. So a positive form is defined by the negative 'space' around it. Space can be so much more than that idea, it can be described, it can navigated, it has a memory because it exists in time. And it can build up a legend to the people that experience it.




Project Number 2 more ideas again....

Ok, so after looking at some of the artist presentations, I had a bunch more ideas pop into my head, so I'll list them:

- I could map sound...although we worked with sound so i htink this idea is out, just because i want to pursue something else, but it was a thought. - I could map spoken word, or text, i was thinking about relating this back to a place where i had been that i feel a deep connection with.
- this could be a project mapping text, and place. The text describes the memories and it wraps around creating streets, or paths that i have walked within a particular place i am deeply connected to.
- i really want to do some sort of drawing, the more complex the better.
- I was also htinking along the lines of mapping with photos, not sure how i would go about doing this, maybe creating a narrative as i go?
- maybe the mapping of the physical place is through imagery, photogrpahs, and a secondary grid, of some sort, my own grid is placed over top of these images, concerning a trip i have taken, a place i have lived, and the relationships i encountered there.
- I was also thinking about mapping through collage, so overlay adding to layers within the map.
-

Project 2

Project 2

I'm going to trick and lie during this project. I'm going to go around Gainesville, pretending like I'm lost, and get local people to draw maps for me. When I usually ask people to draw me maps (or my mom draws me a map), I usually get littles notes on the side about where to turn or little drawings that show me what buildings and businesses are on the street corners: "You'll see a burger king on the left and a Stein Mart on the right" with little boxes.

I want to get enough maps to make an entire map of gainesville, or of at least the area around campus, otherwise, I'm going to get legitimately lost because I dont usually explore too far away from here. Then again, that could be another element in the process, getting maps when I actually need them.

The problem: this isn't a very digital idea, I'm not using any technology. How can I incorporate some technology into m process or final outcome?

Monday, October 20, 2008

deCoding deCerteau -fin..?

Understand the middle two paragraphs on p. 93 starting with “The ordinary practitioners…” How is a city or any other landscape a text? Get an understanding of what might be meant by the term, operations, and how it relates to the aspect of the city that is not represented as “geometric” or “geographical.”
*A city is a text in the sense that an individual's path, including daily activity, can be mapped and read by those willing to make the invisible visible. The article mentions that normal people travel/live below the "thresholds" of visibility; the individual normally will not, and cannot, read their own path until it is mapped and represented in a physical (visible) format.

There is the city and the concept of the city. Please define each and describe their relationship to each other.
*The Concept city is the idealization of a space and, according to deCerteau's requirements, devoid of human life. The city itself is the reality, alive, dirty and lived-in, and constantly re-inventing itself.

Why does deCerteau claim that the concept city is dying?
*deCerteau may be referring to political corruption when it comes to the well-being of the city. That the leaders in charge of the care of the cities are unconcerned or easily swayed in destructive directions. He seems to be of the opinion that cities were once carefully planned an designed but I think in many cases, especially in that of older areas, that is not the case. It also doesn't help that people tend to keep living in the city, degrading its potential ;P

Return of practices
How can focusing on the negative privilege a discourse?
*Politics is always fun, especially when its dripping with cynicism and negativity: "one can follow the swarming activity of these procedures that...have reinforced themselves in a proliferating illegitimacy". He describes hierarchies in society, departments of organization, "...health, justice, army, work...", and discusses the problems that arise within the systems, and disciplinary tactics that evolve. He sees the negativity of the true city, idolizing the idyllic image of the concept, and not realizing the reality of civilization.

How does deCerteau relate the decisions we make when walking to speech acts? You may first have to understand what constitutes a speech act. See bottom of p97.
*As I understood this, deCerteau was comparing our mode of speech to that of walking. The goal of speaking is usually to communicate -something- in the most efficient way possible. This also applies to our daily paths; routes we tend to walk daily, especially those that are nearly indiscernible from one day to the next, are chosen because of their efficiency in getting the pedestrian from where they are, to their destination. Posture and poise can be related to eloquence of voice, and style of speaking; short-cuts could be slang, familiar to the local but confusing to those foreign.

How does deCerteau define myth in the context of this chapter?
*I may need to revisit this one...While I'm not sure where the "myth" fits in, deCerteau introduces the idea that "to walk is to lack a place. It is the indefinite process of being absent and in search...an immense social experience of lacking a place..." Which seems ironic, as only a few pages before he was insistent that walking creates, not lacks. Interesting nonetheless.

Understand the notion of “local authority”. Examples of local authority?
*The local authority is the 'proper name' and other ways society labels people and things. The article uses street names or areas of a city as examples; these names are important to the outsider but they become meaningless to the local who only may use the names to create meeting places.

What purpose/s could be served by eradicating stories and legends that inhabit places? What are the consequences of this? How is this related to walking?
*Legends and stories are a different method of labeling by society. Unlike the authority, these stories represent the locals' views on a place, and how the history of a space is remembered and passed down through generations. Erasing these stories would be to erase pieces of history and generate blandness in the effected culture. Walking is enriched by the knowledge of these histories (or even the assumption that there must be a history), and to walk through a space that lacks history only does disservice to the walker's path.

Is it possible to see memory as negative space?
*There may be gaps in my memory but I can only hope these are areas of no importance in my past or something my brain has decided I would be better off glazing over, like a scab. Memory is an organisms necessary method of storing important facts and experiences that would help it thrive. The spaces I might consider negative memory are probably better defined as areas undefined and fragmented.

In your own words, what does the practice of space mean?
*I can't say I'm sure; perhaps the practice of space is how each individual interacts with the spaces they encounter, and has a hand in the product of the spaces they create themselves. For example, when encountering a new place each person will react and explore differently; also, the way I, for example, arrange my workspace or my apartment will work most efficiently for me and not others.